Jesper Ejsing was born in Denmark in1973. He first discovered fantasy through the works of Tolkien and got introduced to D&D on Christmas Day, 1986. Skipping through the pages of the rulebooks, he set a goal for the rest of his life: He would become a fantasy artist. He would make a living illustrating things that live only in imagination... one way or the other.
He studied Danish literature and Art History before quitting University for a freelance artist life. The early years as a fulltime illustrator meant drawing anything for money. Soon he weeded out the assignments that weren't historical, and after a while all he did was fantasy art.
When he finally got his first assignment for Dungeons and Dragons it was 20 years since that Christmas when the goal was set. He struck out on a journey, stubbornly, and at times ignorant to the realities of life, and 2 decades of traveling has finally brought him home.
Jesper Ejsing still lives in Copenhagen Denmark, with his 2 sons and wife, Lea. Along with paintings, he has written numerous books. "Jarvis – the Sorcerer's Apprentice" is the only one translated into English.
Thanks Douglas I am glad you like it. i think I always try to push for more dynamic and action. sometimes the constant pushing pulls you out of the first straight forward thought. thi scomposition surely was one where I pushed through
Bernell LoebonThe A.I. LieWonderful article As a fine artist, it's disturbing that non-artists claim we are "trained" in the exact way that AI is trained. Your response is exce…
Natalie HeipleonThe A.I. LieExcellently put David <3
BobbyonGaldraThe review highlighted the tool’s innovative features, including its AI-driven content generation and editing capabilities.
Bruce BrenneiseonThe A.I. LieBeautifully put, Dave! I think you nailed the current economics of tech disruption in your side note. One (hopeful) thing to consider is that it wasn'…
joão junqueiraonThe A.I. LieThank you for your sincerely contribution, it's so important that people of your caliber participate of this historical proccess. I think that there i…
I've only seen your work on Muddy Colors, Jesper, but this looks like a real breakthrough to me in terms of composition, mood, dynamism, etc.
Thanks Douglas
I am glad you like it. i think I always try to push for more dynamic and action. sometimes the constant pushing pulls you out of the first straight forward thought. thi scomposition surely was one where I pushed through