I hope that I am always a student first, and an artist second. It is how I have approached my career as to this point and I plan to keep going with that mindset. I think the desire to improve drives me first and then comes my need to create. That might change at some point, and if it does I’ll assume it will be for the better!
I have been doing some small pieces to practice painting heads and also some close-ups of eyes. I did the eyes for a show at the Springville Museum of Art in Utah where all of the works will sell for $100. It is a fun, annual tradition that the museum has established. I like the idea of doing some smaller works and hopefully getting them into the hands of those who want original art, but at this point might not otherwise be able to afford originals.
I have been aiming for a couple things with these studies. I have been exploring difference palettes for the flesh and pushing myself to keep them under 3 hours. In the case of the eye paintings, they are limited to an hour.
All of the following were painting from photographs, but I do feel that my weekly portrait painting efforts, from life, have gone a long way to informing the color choices I am making. About half way through these little portraits, I will put my reference away and work from memory and imagination. I am trying to push out of my comfort zone a little in my workflow and not rely on my reference too heavily. I am planning on doing this through the rest of the year and hope to create many more studies like this.
I did this next piece on a field of gold leaf. I painted directly over the leafing, which can be challenging. You have to be delicate with your brushes to not distress the surface and you also need to be careful as you soften the strokes to not get a strange interference where the oil paint is thin over the leafing.
Dan Dos Santos and I recorded a demo two days ago (you can find more info here) where we explore painting some flesh tones and analyze some flesh in a few Bouguereau’s and also talk about improving your photographs. We did a about an hour of discussion and then I did a few little head studies where I explored different complexions. After the demo, I was really in the mood to paint so I did a couple more studies that afternoon.
Howard began his career working in the video game industry. After 13 years working as a texture artist, concept artist and then art director, he left to pursue illustration. He has worked for clients such as Blizzard, Upper Deck, Wizards of the Coast, Electronic Arts, NCSoft, The Greenwich Workshop and Paizo Publishing.
He was a finalist in the Art Renewal Center 2011 - 2012 Salon in the figurative category, won an honorable mention in the Oil Painters of America 2011 Online Showcase and a Merit Award in the Springville 2011 Spring Salon. His work can also be found in various years of the Spectrum annual and was nominated for a Chesley Award in 2011.
He is very passionate about learning, studying the great artists and techniques of the past, particularly Caravaggio, Bloch, Bouguereau and Waterhouse.
When not painting or drawing Howard loves spending time with his wife and three kids, cooking, and trying to bake the perfect loaf of bread.