Arts & Letters

Monday, January 17th, 2011

by Arnie Fenner
This post is inspired by Greg’s previous entry about the expressiveness of handwriting and using it to help form an identity. Taking it one step further, hand-lettering, calligraphy, and type manipulation can be great ways to capture some attention in the marketplace.

Boring, clunky, inappropriate, or badly designed title treatments can kill a book cover—and doncha know that every time a vaguely-fantasy-flavored typeface is introduced, everybody and their brother slaps it on whatever they’re doing (Papyrus is a recent example of a way-over-used face). Alphabets with alternate swash caps and lowercase letters are deadly in the hands of an amateur designer or art director.

When Greg’s painting got the nod as the cover for Spectrum 17 it seemed to call for something special; we turned to a good friend who happens to be one of the country’s leading calligraphers, Rick Cusick (who, unfortunately, doesn’t have a website—though his significant other and fellow artist Jill Bell does). Rick explored several options before hitting on a direction that clicked: the result, I think, shows how expressive hand-lettering, when matched to an equally expressive painting, can make for a compelling book jacket. Or movie poster. Or advertising spread.

Above: Some of Rick’s initial approaches to the title treatment for Spectrum 17. The last was inspired by J.C. Leyendecker’s lettering style.

Above: The finished cover.

Above: From time to time in my career I’ve done hand-lettering for various logos and title treatments. I’ve done a lot of work for Harlan Ellison through the years and, lemme tell you, he keeps me on my toes. Happily so.

Above: I designed the cover for the limited edition of Stephen King’s novel and incorporated hand-lettering and manipulated type: having a painting by the incomparable Phil Hale to work with made my job way too easy.
 

Above: Various hand-lettered titles, logos, and misc. I’ve done through the years.

Featured Video

Featured Posts

Recent Comments

RELATED POSTS

Review: VR Sketch Transfer

Review: VR Sketch Transfer

I hate transferring my sketch. I hate it. Every method I have found is tedious. Projectors and transfer paper lose important small details, and to get out of the way of the projection, I lean and bend in unnatural positions for long periods of time. There's more, but...

Creativity and Well-Being: Creativity Hangovers

Creativity and Well-Being: Creativity Hangovers

It's no secret to anyone that's been following Muddy Colors awhile that I am really deeply interested in the psychology around why people become artists, and how becoming a "professional" "full-time" artist affects that. For example, I've written posts on the...

Short Take: Rim Light

Short Take: Rim Light

During my classes online, I’m asked by students over and over again, ‘show me how I can improve my paintings.’ Besides needing to get better at drawing, paint mixing and application, composition, and value control-- handling light is the most overlooked aspect of...

5 Comments

  1. Avatar

    I was so excited to see the hand-written calligraphy in this edition. Beautiful choice and very nicely executed. Overall brilliant idea with such a fantastic cover. Killer type samples too. 😀

  2. Avatar

    papryus? now its bleeding cowboys

  3. Avatar

    nice hand lettering !!

  4. Avatar

    Damn, Arnie.
    You always surprise me.
    Those are -really- nice!

  5. Avatar

    Yeah, who knew Arnie? Maybe you're more than just a pretty face.