Hey folks! Currently deep under a mountain of metal! Continuing my Rock and Roll Fantasy Series with Wentworth Galleries for 2026. Been having such a blast sketching out these paintings, I actually had to make my self stop conceptualizing and start actually finishing some them. So this is the perfect time for a Muddy Colors post.
Up for today, I will take you through painting one of the guitars for the exhibit.
The BC rich Eagle.
It is kinda funny. I have this drawing I did like a decade ago hanging in my studio stairwell. And every time I pass it I think, man I should revisit that concept. Isn’t there a saying about art never being finished, it is just abandoned?
Anyway here is the drawing I speak of. It was called “My Precious”. The idea was just to do a new painting of this figure… at first.
It is not a bad drawing, but the face always bugged me when I walked buy it. Here is a bigger version of the original image.


So I mocked up the new drawing and gave her a kick ass skull instead of a dead fish. The mock-up looked like this. Bitchin’.

Lets go! I start by filling a couple extra pesky holes in the body. Then I printed the design out to scale, and made a stencil of the silhouette, and sanded just that area where the new paint was going down. This will make the paint adhere better. However I wanted to keep the original black body paint in the neg space, thus I wanted to protect it.


I want this pretty much monochromatic. So all of the darker paint is a brown Alpha Enamel, thinned with mineral spirits. I loved this actually. Stayed gritty and textural where I wanted it, but I could also hit a really delicate line with it. And lift out. I am doing most of this painting with one brush. A tatty old Princeton Velvetouch long round #4. Very expressive brush. Razor sharp point. but you lay that baby on its side and give it a drag, and you get these awesome choppy marks.
The great thing about the enamel it is dries FAST, and hard. Hell it is for painting signs and pinstriping classic cars, bikes and helmets. Tough stuff. Bonus though, you have a lot more time than acrylic but a fraction of the dry time of oil. (It is mean to brushes though!)
Later in the video I move to tube oil paint for the highlights. I wanted to do some thin washes and glazes (Especially over the fabic.) and tube paint is the way to go for that. And since I use oil base enamel, oil over it is fine. (Would be fine with acrylic enamel under too, you just don’t want to put acrylic over oil.)
Finally you will see me use some gold enamel to make the sun rays.
I seal all of this under multiple coats of a product called Tru-oil. An oil based sealer which I can wipe on. The last step will be to wet sand it and polish it and pray I have enough coats of Tru-oil that I don’t eat through my paint. Cross you fingers.
I will update this post when I have to final glamor shots of the guitar fully assembled! Check back in! Horns up!
Guitar riff by me!







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