Old Master Studies & the Value of Copies

Friday, August 4th, 2017

-By Howard Lyon

There is a long tradition of studying the masters from the past to learn from them. When we do a master copy we will often be opened up to new possibilities with color, composition, brushwork and drawing.

I did one recently for an ImagineFX Workshop, in issue 144.  You can read the article here:
ImagineFX Workshop and see the accompanying steps.

I learned more about how Bouguereau paints skin and hair and was reminded of how loose he often paints areas of less importance. The fabric was very loosely painted and except for a few areas the hair was just indicated with big shapes and gradients.

Here is a time-lapse of the study that I did:

[youtube=https://www.youtube.com/watch?v=QoI7PhDdFAg&w=600&h=338]

I also have an upcoming workshop at the Scottsdale Artist’s School where I will conduct an old master copy class. I will go over different methods, color harmony, palettes, and how to apply what you learn to your own work. If you are interested, it is in January (Arizona in January is wonderful) and I would love to have some Muddy Colors friends there. I taught it this last year and had a wonderful time and made great new friends.  You can find more information here: Scottsdale Artist’s School

This is a recent painting of mine done with several of my favorite artists in mind, but with my own vision. It is now in the permanent collection of the Springville Museum of Art in Utah.

After the Dance, 12″x15″ oil on panel

I’ll do a future post about this painting as well, but in the meantime you can find the article on it in the July issue, #9 of Paint and Draw Magazine.

One last little tidbit. I didn’t think this warranted it’s own post, but I have been using these wonderful little sketchbooks lately from Stillman and Birn. They are pocket sized (3.5″ x 5.5″) and have excellent paper.  They fit my SketchWallet too. Great for pencil, ink and watercolor. I bet they would take a primer well if you wanted to do little oil studies in them.

Here are a few drawings from them. 180 lbs. paper and it takes pencil beautiful and erases well without pulling up.

They make a portrait and landscape version and you can get them on Amazon: Landscape or Portrait

Very convenient size. They can fit into a coat pocket or small purse easily and make for nice inconspicuous sketching.

That’s all for this time. Come join me on my Instagram page to see more sketches and studies.

Featured Video

Featured Posts

Recent Comments

RELATED POSTS

Review: VR Sketch Transfer

Review: VR Sketch Transfer

I hate transferring my sketch. I hate it. Every method I have found is tedious. Projectors and transfer paper lose important small details, and to get out of the way of the projection, I lean and bend in unnatural positions for long periods of time. There's more, but...

Creativity and Well-Being: Creativity Hangovers

Creativity and Well-Being: Creativity Hangovers

It's no secret to anyone that's been following Muddy Colors awhile that I am really deeply interested in the psychology around why people become artists, and how becoming a "professional" "full-time" artist affects that. For example, I've written posts on the...

Short Take: Rim Light

Short Take: Rim Light

During my classes online, I’m asked by students over and over again, ‘show me how I can improve my paintings.’ Besides needing to get better at drawing, paint mixing and application, composition, and value control-- handling light is the most overlooked aspect of...

2 Comments

  1. Nasan Hardcastle

    Really nice drawings! How do you protect your pencil tips from breaking while taking them around with your sketchwallet?