DON’T SWEAT THE AI TIGER
Full confession- There’s smarter folk than me to write about AI art, and wiser practical...
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Author: Greg Ruth
ARTIST SPOTLIGHT- Wassily Kandinsky at the Guggenheim
Yes I know normally this spotlight is here to highlight some new or not yet full established...
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GETTING LOST
Look we all of us hate it in some way- at least reflexively. Getting lost means delaying you from...
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RIDING TWO HORSES
We think we’re doing our dance for a public audience, a potential buyer for the book we did...
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A RETURN TO THE DUNES
Getting a gig like this, you throw everything you have into it. I do this as a practice, to be...
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7 Rules for Working with Art Directors & Editors
Art Directors are usually always people, and as such they vary wildly as people do, and succeed...
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DOUBLE INDEMNITY! (For the Criterion Collection)
Never before has an insurance clause and policy wrought SO much drama, heroism and greed…...
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THE PIANO for The Criterion Collection
I know I keep saying this was a dream job/ bucket-list project, and it truly was. I just have a...
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DRAWING RACE
This is an article that has been a long time brewing. It’s a spicy subject these...
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BLADE RUNNER: BLACK LOTUS
So before the absolutely crazy season that brought in Dune, Gunpowder Milkshake, The Piano,...
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Horses not Zebras
There’s an old adage that frames perfectly for me what we all could do well to learn for our...
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ELECTRIC ANTS & BOYHOODS
Two projects that could not be less alike together in one MC post today as we delve into the work...
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GUNPOWDER MILKSHAKIN’
This project was such a crash job with such an insane deadline, I still haven’t fully...
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