THE COVID-ERA COMMISSIONS
Back just before Coronavirus ate the incoming three or so years and millions of lives, I remember...
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Author: Greg Ruth
ARTIST SPOTLIGHT: Charles Weed
I can always tell when I’ve found an artist I connect with on a deep and meaningful level,...
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SEVERANCE!
*SPOILER WARNING: If you’re not familiar with or have seen the first season of Severance,...
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The Myth of TALENT
TALENT is the most misused word in the language we all swim in as artists. More often than not it...
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DON’T SWEAT THE AI TIGER
Full confession- There’s smarter folk than me to write about AI art, and wiser practical...
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ARTIST SPOTLIGHT- Wassily Kandinsky at the Guggenheim
Yes I know normally this spotlight is here to highlight some new or not yet full established...
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GETTING LOST
Look we all of us hate it in some way- at least reflexively. Getting lost means delaying you from...
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RIDING TWO HORSES
We think we’re doing our dance for a public audience, a potential buyer for the book we did...
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A RETURN TO THE DUNES
Getting a gig like this, you throw everything you have into it. I do this as a practice, to be...
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7 Rules for Working with Art Directors & Editors
Art Directors are usually always people, and as such they vary wildly as people do, and succeed...
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DOUBLE INDEMNITY! (For the Criterion Collection)
Never before has an insurance clause and policy wrought SO much drama, heroism and greed…...
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THE PIANO for The Criterion Collection
I know I keep saying this was a dream job/ bucket-list project, and it truly was. I just have a...
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DRAWING RACE
This is an article that has been a long time brewing. It’s a spicy subject these...
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