This was a cover for Literary Digest, November 1920. Most of his other covers then were 2-color until the mid-20s and didn't use models as much. Budget, tech and time are eternal issues!
You can really tell the J.C. Leyendecker influence in his earlier work. The graphical way he renders drapery and creates striated highlights. It's more subtle than Leyendecker for sure, but definitely there. Love this beautiful image!
Rockwell may have painted realistically, but he was always careful to use his imagination to infuse his painted characters with life rather than make them look like stiff, uninteresting things.
FeedbackonFigure I’d post some of theseKaraoke is such a joyful activity, and this blog beautifully highlighted its emotional benefits. Well done!
Thomas William SaroleaonColor RoughsJesper......love your work and your roughs!!!! What do you do your roughs on?
Kelsey WonJIM HENSON PRESENTS NO. 3 – FRAGGLE ROCKThank you so much for taking the time to share your process. I love to see how such a complex design challenge gets tackled.…
Retro Gameon15 Types of CompositionThis post is so detailed, almost like a step-by-step guide, it taught me how to compose better. I will try these techniques.
Ahh Rockwell, a constant source of inspiration. Great post Dan.
That guy with a hat totally looks like James Gurney !!!
http://vignette4.wikia.nocookie.net/dinotopia/images/8/81/Gurney_portrait.jpg/revision/latest?cb=20090226001757
Coïncidence? I think not!
Haha. He DOES look a bit like Gurney!
LOL! I thought the same thing.
This was a cover for Literary Digest, November 1920. Most of his other covers then were 2-color until the mid-20s and didn't use models as much. Budget, tech and time are eternal issues!
You can really tell the J.C. Leyendecker influence in his earlier work. The graphical way he renders drapery and creates striated highlights. It's more subtle than Leyendecker for sure, but definitely there. Love this beautiful image!
Rockwell may have painted realistically, but he was always careful to use his imagination to infuse his painted characters with life rather than make them look like stiff, uninteresting things.