MAKING A COVER: Criterion’s “BREAKING POINT”
-By Greg Ruth So I was recently asked to take on a last minute rush job for Criterion for a...
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Author: Greg Ruth
SCHOOL or WORK?
by Greg Ruth One of the top three questions I get asked privately and when teaching or even at a...
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COVERING A BOOK: Avi’s City of Orphans
-By Greg Ruth One of the most sought after, misunderstood, and rarely easy jobs in illustration is...
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The Calendar Priest
-By Greg Ruth First off, I wince a bit at the notion of this unpublished project is a...
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Akata Witch & Warrior
by Greg Ruth Unused original approach to AKATA WARRIOR, graphite on paper. It was seen as...
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Saying Yes
-By Greg Ruth It’s the the thing we all of us like to do the most. Yes is so affirmative and...
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DOROTHY & THE WIZARD: A guide for world-building
by Greg Ruth Being deep within a story you’re writing, a piece you’re painting or a...
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Caravaggio to the Rescue!
-By Greg Ruth This will be a short post this week. By the time you’re reading this I’m...
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Stealing Art
by Greg Ruth We live in the Age of the Image, and for we who make and express ourselves through...
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Navigating Reviews and Critiques
-By Greg Ruth The second hardest thing about being an artist is processing the opinions of others....
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Art, Race & Native Stories: A Conversation with Winona Nelson
-By Greg Ruth Winona Nelson & Greg Ruth Winona and I began a conversation at the IMC in...
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Dancing When No One Is Looking (In 2 Parts)
-By Greg Ruth Almost none of you have seen me dance, (and those six or seven who have? Shut up...
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Movie Posters!
by Greg Ruth I grew up in front of the Creature Double Feature, Planet of the Apes Sunday...
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WORKING (not) WORKING
-By Greg Ruth Ethan Hawke in Canyon De Chelly, where we came up with how to plot out the Battle at...
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